Once a landscape plan is established other ideas soon crowd up and make strong cases for taking over. Some show ways through/around/accross while others advocate for stillness. Space and flatness work to fit together even as they are foils for one another. Colors I gravitate towards are rooted in the earth: sometimes in an orthodox way, other times in a purely chemical way.
There is a cycling through of ideas, of successes and failures. Another vision is pushed into view.
Eventually (as the subversion continues) my paintings are persuaded to become quite nature-like; not again but for the first time.